Happy Birthday James Yancey

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Check out Dilla tributes this month marking the third year after his death on February 10, 2006.

Three years ago one of hip-hop’s most elusive magician’s passed at the age of 32 from lupus and a rare blood disease. James “J Dilla” Yancey began his musical life as a member of a family immersed in music from generations back. His brother John who released an album last year under the stage name Illa J talked about the family’s musical heritage in my interview with him.The popular anecdote his mother shared about him having perfect pitch by age 2 and trying to dance to James Brown at age 3 preceded a precociousness that made him vicious with any found sound he could manipulate in his lab. Detroit’s fertile creative backdrop of Motown, jazz, dance music, hip-hop and R&B gave him plenty of inspiration that came out in his work as a teenaged DJ and then a young man who started making records in ’95 with MC Phat Kat. By the time the ’90’s were done he was a majestic remixer who outgrew the lessons of legendary muses like Pete Rock, Dr. Dre, Premier and several other noted beatsmiths. His seamless compositions that comprised analog and digital tools were soulful, slick and minted boom bap that charmed ears and bodies but left his peers in awe. Just Blaze recalled listening to a Dilla beat all day trying to dissect its essence only to give up in frustration the way a young apprentice bows to a master. Dilla’s amazing dexterity made him a producer’s producer and the sweetest secret to fans who found him underground beneath the brouhaha surrounding his better-known peers who crowded hip-hop media. Hip-hop scholars love to talk about all the nifty nuances of his work such as the Large Professor who lauded his last album Donuts for having a modern sound built on deceptively simple hip-hop fundamentals. Unfortunately his hermit-like personality and unexpected death did not allow him to receive the recognition he deserved. You can find his discography online that shows his trail through projects for The Roots, Tribe Called Quest, Janet Jackson, Busta Rhymes, De La Soul, The Pharcyde, Frank N Dank, his personal group Slum Village, collaborations with Madlib, time spent with The Ummah and a bunch of remixes. Some of my favorite Dilla tracks are:

Come Get It

JAY DEE aka J DILLA – Come Get It
Found at bee mp3 search engine


Q-Tip- Breathe And Stop

Erykah Badu-Didn’t Cha Know

Slum Village-Get Dis Money




Delicious Vinyl Feeds Dilla Freaks In Need Of Beats With Yancey Boys – The Instrumentals

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(January 28, 2009 – Brooklyn, NY) Mental for Dilla beats? We got you covered. Hot on the still-smokin’ heels of Illa J’s debut album Yancey Boys, comes…Yancey Boys – Instrumentals.

Thirteen beats created by the one and only James Yancey (aka Jay Dee aka J Dilla). Raw uncut Jay Dee goodness, heard first on Illa J’s debut album Yancey Boys. These beats date from 1995-98, created during Jay Dee’s tenure at Delicious Vinyl including his work on the Pharcyde’s sophomore LP, Labcabincalifornia. Madly prolific, Jay Dee left these previously untouched beats behind. They were in the Delicious Vinyl vault for a whopping thirteen years before, in a case of manifest destiny, Dilla’s younger brother John “Illa J” Yancey added his vocals to them to make the album Yancey Boys.

Now fans can get the raw material that Illa J worked with. From “We Here”‘s kraut-tastic sizzle to the bumpadelic rumpus of “R U Listenin’.” From the dusted satin of “Sounds Like Love” to the torqued out dreamscape of “All Good,” these beats are all keepers. They’re available on your favorite format (double vinyl LP, CD, or digital download) online an in stores everywhere.

As an added bonus, San Francisco’s DJ King Most (www.myspace.com/kingmost) whipped up a Mega Mix of the instrumentals: http://media.audibletreats.com/King-Most-Yancey_Boys_Instrumental_Megamix.mp3.

If you’re in San Francisco, head over to 330 Ritch this Friday for a live performance.

If you’re in Los Angeles, head over to Amoeba Records on February 11th to see Illa J rock a free in-store performance.

To set up interviews with Illa J or Mike Ross, the CEO of Delicious Vinyl, please contact Michelle

The Background:

When Jay Dee passed away from complications relating to lupus in February 2006, he left behind an extraordinary legacy of production work, including hits for Common, Janet Jackson, and Busta Rhymes. One mother lode of previously untouched beats dates from his time working on the Pharcyde’s sophomore album, Labcabincalifornia (Delicious Vinyl, 1995). As Delicious Vinyl owner and founder Michael “Mike Floss” Ross explains: “From ’95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, tracks as good as anything he’d done, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats.”

In a case of pure serendipity, 21 year-old Illa J had just relocated from Detroit to Los Angeles and constructed a studio built using Jay Dee’s recording equipment. He dubbed it Yancey Boys Studios in tribute to their fraternal bond. “Dilla was 12 years older than me,” Illa J says. “So back in the day in Detroit I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. I always felt my brother’s tracks and had an instinct for what I wanted to do over them.” When Illa J set to work in early ’08 recording the album, the project flowed quickly as he entered the proverbial can’t miss zone. The name of the studio rightly became the title of the finished album, Yancey Boys, which is available online and in stores everywhere on Delicious Vinyl Records.

Buy here: http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=302570418&s=143441
http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=293350507&s=143441




Interview With Illa J

Siblings of the famous always have the burden of being comparably scrutinized to their prominent kinfolk. Janet Jackson earned her place as a solo star but no lengthy article written about her omits the relationship to brother Michael. The Rhythm Nation performer established her own catalog in a post-Thriller world but will always be Michael’s little sister. And to her credit Ms. Jackson has been gracious to interviewers who ask her about Michael and is always proud to be a member of the first family of R&B royalty. Illa J is experiencing something similar being the younger brother of hip-hop’s most intriguing beat scientist. The unexpected passing of the older brother in ’06 devastated his family and made hip-hop aficionados mourn the loss of hip-hop’s most innovative producer.

Illa J readily accepts the attention his lineage gives him because of the pride he has for his brother’s legacy.He also knows that the public will learn that his choice to be a musician is a rite for the Yancey family. His first album Yancey Boys and the videos for “We Here” and “R U Listenin” are thrilling fans making them say that Dilla lives on through his brother. Of course it is helpful that Dilla posthumously produces Illa J’s first album from a stash of beats given to the younger brother from Delicious Vinyl’s co-founder Mike Ross. In the ‘90’s Dilla worked for Delicious Vinyl making remixes and he left behind thirty-eight beats the label never used. Identifying himself as a songwriter first already differentiates him from his brother who preferred to stay in the studio and seemed to have no interest in the flashy side of the industry. But it is his carefree R&B singing and rapping that immediately separates yet connects him to Dilla. The older brother never sang yet Illa’s rhyming voice reveals the DNA tie because he does sound like the late producer in tone but not style. Based in California for the past three years the youngest of the Yancey children is listening to his music and preparing for a tour at the first of the year.

How did your family get involved in music?

As far as I know my family pretty much been involved in music starting back from before my parents. Both my dad’s parents played the piano my mom’s dad was a musician so it even started back then. In my immediate family my dad plays piano and upright bass my mom she sings my brother most people don’t know he also played a lot of instruments he also writes and my sister writes songs she sings so it’s like I was brought up in nothing but music.

Was your brother the first one to do music professionally?

Well technically my did back in the day he just didn’t get the necessary credit because of he like was like more of a ghostwriter he would write songs like for Motown back in the day. It pretty much started then my dad he was going to get a deal but he never took it to that extreme because he didn’t want to that’s one thing about my brother he could have been bigger than he was but he was so dedicated to his craft that it was all about the craft and that was the same with my dad. You know he didn’t really care to really be out there like that. My whole family is into music not only that being in Detroit it’s tons of musicians it’s almost rare to know someone in Detroit who don’t know somebody that do music.

Do you play any instruments?

Yeah I play bass guitar, piano and I started off on bass I’m kind of rusty on the bass after I started playing keys it’s just something about the keys so much more universal and I can go a lot more places with the keys it’s perfect because I am a singer- songwriter first I like writing songs on keyboards and piano.

How long have you been singing?

Pretty much since I was brought into this world my mom said when I was a baby she had a playpen in the living room her, my dad, and they had two ladies they would sing with to fill in the soprano and alto voices and they had an jazz acapella group and I wouldn’t even disturb them and pretty much that’s how I learned my musical ear from hearing all the different jazz chords and singing in class since I was five. Like singing the whole music thing is natural it’s my gift.

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How did your first album come about?

I always knew at a young age I would do music but I didn’t know when. At a young age like when my brother had Pharcyde and all that I knew if later on in my life I did music I knew people eventually would compare. When I was younger I was a little discouraged from doing it because I just didn’t want to get into all that stuff. As you get older you get a new perspective on life honestly you just kind of really don’t care. Because at the end of the day you realize what it’s all about like I feel blessed to be able to do what I want to do use the gifts I was given it’s about trying to lift up people and make people feel good. When I got a bigger perspective on really the purpose of all this music is the first time I went over to Europe I was in Paris it’s just crazy to me a lot of people at the show they didn’t speak English but they knew all the words to my brother’s songs and stuff. That gave me a whole new perspective it’s like my brother is all the way in Detroit yet he’s inspiring people on another whole part of the world. It’s like you never know who you’re influencing and who’s listening to your music that’s in a sense kind of like I do this first because I love it it’s my passion it’s my gift and be the best I can be and continually get better but also to inspire. If I inspire one person I feel like I’m successful. And you know like any artist as soon as the product is finished it’s successful to me because that’s me expressing myself.

Who are your influences?

I could go on for days with that but I’m going to tell you my main like Al Green I love Al Green, Marvin Gaye, Prince, MJ, I look up to my brother too. As far as artists now Amy Winehouse I think she’s a really good songwriter actually Sarah Novelis because I’m more of a songwriter so I listen to a lot of different songwriters and definitely a lot of Joni Mitchell lately John Lennon Imagine.

What part of your craft do you like most?

I’m a singer songwriter first like in a sense that came after but it’s weird I’ve always been writing I’ve been writing since I was like seven or eight poetry and eventually I just stopped writing poetry and started writing songs at one point. I’m really comfortable in my songwriting and my singing. Through the album it’s kind of like on my Myspace page I started off with more of my hip-hop stuff just because at the time I didn’t have all the equipment to be able to really get into recording my stuff. Once I got the studio then I got to do it more on this album I kind of like it because it’s a smooth transition from my hip-hop into where I’m going to obviously be going in the future which is how the album started I’m definitely really comfortable in my singing.

Are there any songwriters/producers you like?

One person I like is Pharrell Williams from the Neptunes as a songwriter. Stevie Wonder like I mentioned earlier Joni Mitchell, Regina Spector, Rod Temperton you know Off The Wall, ‘Rock With You” and he wrote Thriller too. Actually I was reading this book and I was studying Ira Gershwin those are definitely great influences.

How would you describe your sound?

Definitely off this album all the tracks were already made all the way back in starting from ’95 the production was done so on this album I pretty much was I had to narrow it down to the tracks that I wanted out of the batch because it was out of thirty-eight tracks that I picked all the tracks from. One thing I wanted to do on making this album is it’s not a singles driven album I wanted to make an album I like albums where you can just kind of sit and lay back and listen to in your headphones and really you know kind of flow together as one whole piece of artwork that was my intention in a sense it turned out the way I wanted it to turn out I’m happy when I listen to the album. My style is just kind of laidback you can tell I’m obviously not trying to be I’m not the super duper emcee dude it’s just my style kind of laidback and soulful, especially on this album I’m introducing myself it’s not even the beginning of what I still have to express as an artist I feel like I have so much more to say.

You’ve said that LA has been better for your creativity because in Detroit it is stressful and there are many distractions. How do you think someone like your brother was able to be creative living there?

I do that say that because that was the time I was trying to get out especially after my brother passed I needed space to release so I could have time to grieve and stay on my craft and keep moving forward with that so I wouldn’t be cause I felt one thing after my brother passing as the younger sibling I felt kind of a responsibility to kind of keep hope alive to everybody else I’m like the baby in the family. Like in a lot of True Hollywood Stories I hear comedians say when times are going bad in their families they felt like they had to be the spark of laughter just to keep a smile on people’s face as the younger sibling I felt the same way that I have to be the strongest as the youngest they see me as the baby no one wants to see the baby cry. My sisters and brothers are very protective of me and keeping me going in the right direction. When I talk to my moms and my fam they’re like ‘James is up there he’s tickled and he’s smiling down on you. That’s what my brother was about “Just do you man.”

Tell me about “We Here?”

Actually I didn’t pick that track originally from the original batch I didn’t hear it because I skipped over it by mistake when I was listening to all the tracks. When I heard it omigod my girl she made a list of the tracks she liked out of the thirty-eight or whatever.

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Honestly it was kind of hard breaking down the tracks I was like ‘yeah I like this one I like this one’ and we got to narrow it down but that one was the first one on her list when she made her list of the ones she liked. As soon as I heard ok I’m recording this one tomorrow pretty much I listened to it for like twenty-minutes and then I took a walk I was listening to my brother’s album Ruff Draft in a sense like almost talking to my brother like he’s speaking to me through his music because with this album it’s not like I wrote all the songs from scratch this was already done. I had the rights to the music it’s almost in a weird way I have to connect with my brother making this album. I would hear certain things certain pockets and things like that where I know what he would want with a combination of both of our musical ears basically from my pops my dad it’s kind of like a combination of that. I was listening to that and I was walking around the block then I switched over to Purple Rain you hear the Purple Rain reference in the song to “Let’s Go Crazy” and when you listen to the song honestly as a songwriter I know that the structure isn’t necessarily the perfect structure for a song. When I recorded that song it was more about the energy because when I listen to Ruff Draft if you really listen to that album he doesn’t have a specific topic in any of the songs it’s more about kind of inspiring people it’s like the energy that he felt you almost feel that same energy when you listen to it and the rawness and the soul in it. That’s kind of what I was going for for “We Here” like when you wake-up like you I’m here it’s like I’m not promised tomorrow why not enjoy this day the best I can go all out.

When did you move to Cali and why?

I’ve been out here for a little over three years. Detroit’s always my hometown but I love it out here in Cali

What is the Detroit R&B and hip-hop scene like?

One thing about Detroit’s sound like even when I listen to Welcome To Detroit, Black Milk, anybody, Guilty Simpson it’s like when you listen to it I feel like I’m in Detroit. Because I live out in Cali now a lot of times of course when I talk to my fam I’m connected back to home but when I listen to certain music from Detroit I feel like I’m in Detroit. If I close my eyes I can feel myself rolling down the street with the bumpy concrete and everything it’s just something about the environment. I definitely think that Detroit is going in a good direction. I feel honored to be able to put out my album hopefully I can inspire other kids in Detroit who want to do their own thing other upcoming artists. All I say is it takes believing in you people around you may not believe but as long as you believe that’s the start.

Do you see yourself ever going back to Detroit?

Honestly not anytime soon I’m going back for Thanksgiving I’m going to visit from time to time but I definitely right now out here I feel at peace because my brother was out here last I feel like in a weird way I feel like I’m closer to his spirit. I feel freer out here as an artist because it’s a lot on me when I’m in Detroit. It ‘s a whole new feeling but I love both Detroit and LA for what it is. It’s dope to experience all four seasons sometimes but out here in Cali it’s pretty consistent but it’s definitely about feeling closer to my brother because he’s buried out here so I go visit him from time to time.

Have you thought about the performance of music are you touring?

Yeah I’m definitely going to be touring starting early next year sometime probably after January early February next year I’m going to definitely start touring. I’m trying to hit like Europe, Canada, over here, just basically get out there and start shining this light.




Illa J To Release Album Produced Entirely by Brother, J Dilla, on Delicious Vinyl


(July 20, 2008, Brooklyn, NY) John “Illa J” Yancey, younger brother of late great genius producer James Yancey (AKA Jay Dee AKA J Dilla), is currently completing his debut album for Delicious Vinyl. With the multi-talented Illa J rhyming and singing over a treasure trove of previously untouched Jay Dee gems, the project represents both a full-circle collaboration and a whole new beginning in the story of the musically exceptional Yancey brothers.

When Jay Dee passed away from complications relating to lupus in February 2006, he left behind an extraordinary legacy of production work, including hits for Common, Janet Jackson, and Busta Rhymes. One mother lode of previously untouched beats dates from his time working on the Pharcyde’s sophomore LP, Labcabincalifornia (Delicious Vinyl, 1995). As Delicious Vinyl owner and founder Michael “Mike Floss” Ross explains: “From ’95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, only they never got used. When I finally met Illa J last year, I gave him a CD containing those unreleased beats.”

It was a case of pure serendipity, since 21 year old Illa J had just relocated to Los Angeles and constructed a studio built around Jay Dee’s own recording equipment, dubbing it Yancey Boys Studios in tribute to their fraternal bond. “Dilla was twelve years older than me,” Illa J says. “So back in the day in Detroit I was just a little kid, sitting on the stairs in our house, watching him make those first beats for Slum Village. So I always felt my brother’s tracks and had an instinct for what I wanted to do over them.

When Illa J set to work in early ’08 on recording the album, the project flowed quickly as he entered the proverbial can’t-miss zone. As Illa J says: “One of the things I learned from my brother is that you don’t get that much time, so make the most of it. That’s why I’ve decided to dedicate my life to doing what I love: music. To work with Mike Floss and Delicious Vinyl, the label that released those hits my brother made with The Pharcyde [“Runnin'” and “Drop”] is really special.”

As Michael Ross says: “Illa J can write, sing, play and rap. Not just a little bit of each – he’s really the complete package! And anyone who loves Jay Dee’s music is going to flip out when they hear what his younger brother’s been laying down. For over a decade these beats have been waiting in the vault for this moment. It’s like Jay Dee made these tracks with an extrasensory purpose, so that Illa J could make this album. There is no question that this is exactly what they were meant for. These beats belong to Illa J, they’re his birthright, and I really believe Jay Dee would be proud of what his brother is doing.”