Throwback: Irene Cara: Flashdance…What A Feeling

Irene Cara’s “Flashdance…What A Feeling” is from the 1983 movie Flashdance, and it also appeared on her sophomore album, What A Feelin’, released in the same year. Giorgio Moroder wrote the music, and Cara co-authored the lyrics with Keith Forsey. Cara and Forsey used the scene in the film where the main character, played by Jennifer Beals, does a dance audition in front of judges. The song became an inspirational pop hit and kept the number one spot for six weeks on the Billboard Hot 100 chart. It also held that spot in 10 other countries and sold a million copies within 90 days. Cara received a Grammy, Golden Globe Award, and American Music Award and was the youngest person to get an Oscar for songwriting thanks to “Flashdance…What a Feeling.”

The biggest song of her career made her a household name, but it was bittersweet because she had to file a lawsuit in 1985 against an executive and the record company because she did not receive royalties from the soundtrack and her first two albums. “Flashdance…What a Feeling” is considered by several critics to be one of the top soundtrack songs ever, and it was picked by the Library of Congress to be entered into the National Recording Registry in 2023. Irene Cara released five albums, appeared on more than a dozen soundtracks, acted in nine stage shows, eleven television shows, and eighteen movies during her career. She passed away in 2022 at the age of 63. 

 

 




R.I.P. Irene Cara

Singer and actress Irene Cara has died at age 63. Cara became famous in the ’80s for her role as Coco on the show Fame and for singing the theme song “What A Feeling” from the Flashdance soundtrack. Cara was a New York City native who started her career as a child by competing in the Little Miss America pageant. As a seven-year-old, she sang in a mambo band where her father Gaspar Escalera was a saxophone player. She started her acting career with television appearances on The Electric Company with co-stars Morgan Freeman, Bill Cosby and Rita Moreno and Johnny Carson’s The Tonight Show during the ’70s. Her acting chops were also formed by her work on Broadway and off-Broadway plays like Ain’t Misbehavin’ and The Me Nobody Knows. She and Stephanie Mills worked together on the Broadway play Maggie Flynn as children.I n 1976, she starred in the Black cult classic Sparkle which was scored by Curtis Mayfield. Phillip Michael Thomas, Lonette McKee and Dorian Harewood were her co-stars and the 2012 remake would feature Whitney Houston’s last acting role.  By the late ’70s,  Cara’s name was growing internationally and she was recognized for her work on Roots: The Next Generations and Guyana Tragedy: The Story Of Jim Jones.

Her 1980 role as Coco in the movie Fame is what made her famous. She sang the title track “Fame” and the film’s other song “Out Here On My Own.” Both songs had Academy Award nominations and “Fame” was the winner. In 1982 she would win another Academy Award, a Grammy, an American Music Award and a Golden Globe for co-writing “What A Feeling” for Flashdance which was one of the biggest movies of the decade. Her time in the limelight ended after a 1985 lawsuit against music executive Al Coury for royalties which was resolved with her winning $1.5 million in 1993. She had a role in the 1983 film D.C. Cab but she never gained the same previous momentum. Her recording career produced four studio albums including one with her all-woman band Hot Caramel. She sang the title song for the American television drama Downtown: A Street Tale in 2004. At the time of her passing, there were plans for new projects that her publicist said would still be done. 

 

 




Throwback: B-Boying & B-Girling


Graffiti Rock

Beatstreet

Flashdance

Malcolm Mclaren’s “Buffalo Gals”


Wild Style


Michael jackson moonwalk

Michael Jackson

B-Boying started in the late ’60’s and ’70’s in the Bronx section of New York City but like so many Black cultural products was heavily influenced by James Brown. The ‘B’ means in most cases the boy who would dance to the break part of the song cued up by the DJ. The dances were called top-rocking, up rocking, power moves and the suicide or freeze started by Frosty Freeze and the west coast contributions of popping and locking. The backslide was a dance that b-boys were doing and it eventually became commercially known as the moonwalk when Michael Jackson learned it from Jeffrey Daniel and Geron “Casper” Candidate and did it on Motown’s 25th Anniversary show. Early pioneers of b-boying include The Rock Steady Crew, The New York City Breakers, LA Breakers, The Electric Boogaloos and The Lockers. There were B-Girls such as Bunny Lee who was the first female to join the Rock Steady Crew, Debi Mazar, Baby Love and Suga Pop.
‘Xanadu’
was the first film to show locking with an appearance from the Electric Boogaloos. Fred Berry who was a member of The Lockers is best remembered for playing Rerun on the TV show ‘What’s Happening.’ ‘ Wild Style’ was the first hip-hop movie and The Rock Steady Crew are captured performing at their best. ‘Beatstreet’ from 1984 was directed by Stan Lathan (Sanaa’s dad) and produced by Harry Belafonte and it features the famous clip of The Rock Steady Crew and The New York City Breakers facing off in a battle. Malcolm Mclaren’s “Buffalo Gals” video has dancing from The Rock Steady Crew and it helped hip-hop become popular in England. Michael Holman hosted the first hip-hop TV show in 1984 called ‘Graffiti Rock’ where The NYC Breakers also get camera time. The movie ‘Breakin'” showcased the dancing of Shabba Doo who was a member of The Lockers and Michael Chambers who was a well-known street dancer. This movie gave the media license to call B-Boying breakdancing which is a term most purists detest.”Flashdance” from 1983 also gave The Rock Steady Crew another display for their talents. Most people know that Jennifer Beals had a body double to do most of the dance scenes but they don’t know that Crazy Legs put a wig on to do the famous continuous backspin on the floor during the audition scene. Like the other elements of hip-hop culture B-Boying spread to the entire world. Contemporary b-boy crews that are recognized include Flying Steps, Massive Monkees, Gamblerz and Last For One.