Terence Blanchard to compose original score for upcoming Broadway production of A Streetcar Named Desire

BROADWAY, SPRING 2012
New York: Front Row Productions (Stephen Byrd, Alia Jones) is proud to announce that the world-renowned film composer and trumpet player Terence Blanchard will compose the original musical soundscape for the upcoming Broadway revival of Tennessee Williams’ A Streetcar Named Desire, directed by Emily Mann, starring Blair Underwood. Spring of 2012. Theatre TBA. For more information please visit www.streetcaronbroadway.com.
Set against the backdrop of New Orleans’ gritty French Quarter, Tennessee Williams’ Pulitzer Prize winning drama, A Streetcar Named Desire tells the tale of former school teacher and socialite Blanche DuBois, as she’s forced to move in with her sister Stella and her animalistic husband Stanley (Blair Underwood). But the fragile, Blanche quickly gets a gritty life lesson in the seamy, steamy underbelly of 1940’s New Orleans.
Streetcar was last seen on Broadway in 2005 starring Natasha Richardson, Amy Ryan and John C, Reilly. Front Row Production’s multi-racial production of A Streetcar Named Desire is a follow-up to their highly successful Broadway production of Cat on a Hot Tin Roof, which starred Terrence Howard, Phylicia Rashad, Anika Noni Rose and James Earl Jones and was directed by Debbie Allen. The production subsequently moved to London’s West End (with Jones and Rashad joined by Sanaa Lathan as Maggie, and Adrian Lester as Brick) where it was honored with the “What’s Onstage” and the prestigious “Olivier” awards for Best Revival.

TERENCE BLANCHARD (Composer) recently completed work on Lucasfilm’s, RED TAILS starring Academy Award winner Cuba Gooding, Jr., Academy Award nominee Terrence Howard and Emmy Award winner Bryan Lee Cranston, as well as his critically acclaimed score for the Broadway play, The Mother****** With The Hat, currently playing in New York starring Chris Rock. In addition to composing the music for the Broadway remake of A Streetcar Named Desire, he has also been commissioned by the Opera St. Louis for a project that will premiere in 2012.

Blanchard just completed a national co-headlining tour with Branford Marsalis and will continue to tour with his quintet throughout 20ll. Additionally, after serving as Artistic Director of the Thelonious
Monk Institute, Blanchard has now been named Artistic Director of the Henry Mancini Institute at the University of Miami’s Frost School of Music.
As a film composer, Blanchard has more than 50 scores to his credit and received a Golden Globe nomination for Spike Lee’s 25th Hour. Blanchard’s music was also recently seen in Spike Lee/HBO’s If God’s Willing And The Creek Don’t Rise, commemorating the fifth anniversary of the Hurricane Katrina disaster and the sequel to the critically-acclaimed 2006 film, When The Levees Broke. The film shows the current state of Blanchard’s native New Orleans five years after Hurricane Katrina, and follows the lives of several individuals and their families in the aftermath of one of the worst disasters to occur in U.S. history. Blanchard won a Grammy for his 2007 CD “A Tale of God’s Will (A Requiem for Katrina),” which included tracks from Levees.
In 2009, Blanchard loaned his musical voice to Louis the Alligator in The Princess and the Frog. He has completed scores for Lee’s Miracle at St. Anna, the soundtrack for Darnell Martin’s Cadillac Records and Guy Moshe’s adventure thriller Bunraku (Demi Moore, Woody Harrelson and Josh Hartnett). Other film music written by Blanchard includes Kasi Lemmons’ Eve’s Bayou and Talk to Me, Oprah Winfrey’s Their Eyes Were Watching God, Tim Story’s Barbershop and Ron Shelton’s Dark Blue and music for over one dozen Spike Lee films and documentaries.

Terence Blanchard has established himself as one of the most influential jazz musicians and film score masters of his generation, a member of a jazz legacy that has shaped the contours of modern jazz today. With more than 29 CD’s to his credit, Blanchard is a four-time Grammy Award winner and has received multiple Grammy nominations as well as a Golden Globe nod. His latest CD, “Choices,” was released by Concord Jazz in 2009 to widespread critical acclaim. Recorded in New Orleans at the Ogden Museum Of Art — itself a survivor of Hurricane Katrina — “Choices” addresses the choices we all make in life – both as a society and on a personal level. Guest artists on “Choices” include writer, speaker, educator and activist Dr. Cornel West and singer, musician and composer Bilal. West performs spoken word pieces on the album with Bilal providing vocals on several of the tracks. www.TerenceBlanchard.com




Tyler Perry Introduces For Colored Girls Cast At Premiere

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Tyler Perry introduces the cast of For Colored Girls at the Ziegfeld Theater in NYC Monday night. It’s going to be fun to see all the haterade splash around about this one.




For Colored Girls (Trailer)

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Ntozake Shange has given Tyler Perry’s film adaptation of her epic play For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuff her blessing. The trailer looks interesting. I wonder how many Black men will be angered by this film.




From Beyonce to SYTYCD Choreographer Jeffrey Page Named One of the Hottest Performers in Broadway Musical FELA!

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(Los Angeles, California – September 13, 2010) Jeffrey Page’s talents as a dancer and choreographer have taken him everywhere from Hollywood awards shows to West African villages, and have produced collaborations with the biggest names in modern dance as well as superstars of pop music. He was nominated for an Emmy Award for NAACP Image Award choreography in 2005, is credited with giving Beyonce’ Knowles her African flair, more recently served as a resident choreographer on Fox’s reality TV sensation ‘So You Think You Can Dance.’ In the Fall of 2009, Jeffrey expanded his reach even further when he made his Broadway debut in the cast of the musical FELA!, a show he can still be seen performing in nightly. The lauded production recently racked up 11 Nominations and 3 Wins at the Tony Awards 2010 and recruited Soul icon Patti LaBelle for the role of Fela’s mother, Funmilayo Ransome Kuti.

It’s fitting that Jeffrey would arrive on Broadway as a member of the FELA! ensemble to wow audiences in a show about a Nigerian musical pioneer (Fela Anikulapo-Kuti), since West African dance has been his specialty since childhood. Page says, “I think Fela! has been a hit because it’s playing with a wide variety of textures that Broadway hasn’t seen.” The media seems to agree; The Associated Press raved in its FELA! review: “An extremely talented ensemble of attractive, limber, athletic dancers are in nonstop motion throughout the play.” The New York Times wrote: “‘Fela!’ never stops dancing, and Mr. Jones uses his ravishing ensemble to evoke everything from joyous sensuality to the kind of governmental oppression that turns people into zombies.”

Recently named “Broadway Hottie” on Broadwayspace.com and “Gypsy of the Month” on Broadwayworld.com, well known east coast cultural critic Adrienne Onofri writes, “In the show, which re-creates an evening at Fela’s nightclub The Shrine circa 1978, Page is the first cast member (or clubgoer) the audience meets. He wanders on stage, smoking a cigarette, a few minutes before Fela enters. Then he goes to an upper-level platform stage right and starts dancing.”

Like his FELA! director, Bill T. Jones, Jeffrey Page has spread his talents across concert dance and musical theater, and has taken on directing as well as choreographic responsibilities. He has served as an African dance instructor/consultant for Cirque du Soleil’s breathtaking Show “O”, Alvin Ailey’s American Dance Theatre and most recently in July 2009 Page was one of the resident choreographers of reality sensation So You Think You Can Dance—responsible for the West African piece “Balanta” performed by Season 5’s top five men which was praised by various online entertainment sites as “intricate,” “energetic” and “incredibly entertaining.”

Choreographers across the world fantasize about the once in a lifetime chance to work with Beyoncé Knowles, an extraordinary talentwho is known to keep a tight knit circle of dancers and creative people. Jeffrey however casually throws it on his resume as if it is a second thought but humbly says “Working with Beyonce, who is one of the hardest and most focused artist that I have ever had the pleasure of working with, has given me a very detailed awareness of my work from outside of myself, working with her has brought me to understand art-making and entertainment in a different way. Her allegiance to quality and passion for “digging deep” has lead me to explore another side of staged art creation and sharpen my eye to developing a heightened theatrical experience.” The multi-faceted choreographer was sought out to work w/ the multi-Grammy Award Winning entertainer on her 2007 world tour “The Beyoncé Experience” in support of her sophomore album B’Day. The two had previously met while dancing alongside each other at promotional appearances for her debut solo album, Dangerously in Love. In 2006 Jeffrey helped choreograph Beyoncé’s performances of “Déjà Vu featuring husband Jay-Z while also choreographing the diva’s performances at The World Music Awards and VH-1 Fashion Rocks Tribute to dance icon Josephine Baker. That same year Jeffrey assisted Beyonce’s resident choreographer Frank Gaston on the MTV Video Music Awards for the song “Ring the Alarm”.

Choreographer Fatima Robinson is just one of Jeffrey’s colleagues who have noted his enduring quest for knowledge and hands-on experience, frequently seeking out his expertise. Robinson recruited Jeffrey to co-choreograph the Coming to America-esque opening of the 2005 BET Awards for Will and Jada Pinkett Smith and the finale of the 2005 Billboard Music Awards, in which R. Kelly and a gospel chorus sang “Let Your Light Shine,” a tribute to Hurricane Katrina victims. The well known and versatile Taluego Brothers enlisted Jeffrey to co-choreograph for the 2005 NAACP Image Awards featuring the cast of David LaChappelle’s acclaimed dance documentary “Rize” and his choreography has also been featured on tour by Arista recording artist Jazmine Sullivan.

Unlike much of the formulaic African dance that has been incorporated into music videos, films and entertainment over the years Jeffrey brings a traditional authenticity to this intricate and ancient artform. In fact his first statement in rehearsal to the performers of ‘So You Think You Can Dance’ was “This is not going to be Hollywood African.” Those few words pay homage to the continent of Africa whose lexicon, style and rhythms have often been substituted for stereotypes and gimmicks. In fact very few Hollywood dance choreographers can boast that they’ve performed with and received praised from the national dance companies of West Africa (Ballet Djoliba, Ballet Africains, Le Ballet National du Senegal) which may be what seperates Jeffrey from his peers.

Jeffrey has graced the stage at the Kennedy Center in Washington, D.C., starred in Debbie Allen’s Louisiana bayou-set dance musical Soul Possessed, choreographed with Otis Sallid for the Middle Eastern International Film Festival in Abu Dhabi and paid homage to black intellectuals like Langston Hughes and Zora Neal Hurston in play adaptations of their written works. For the gifted virtuoso who earned a Bachelor of Fine Arts with honors from the University of the Arts and jokes about being “tricked” into taking an African dance class by a teacher who advertised it as “hip-hop” Jeffrey is lighting up stage, tv and film with his colorful and creative choreography. Whether he’s combining Korean folklore and Brazilian Samba or conducting anthropological research into traditional dance and music of Senegal, Guinea, the Gambia and Guinea-Bissau, nobody in the industry can deny Jeffrey’s deft ability to create stunning visual collages of work which are transcending cultural barriers.