“Luv Letter” is the first single from Teena Marie’s posthumous 14th album Beautiful. The Vanilla Soul Queen had been working on the project before her death two years ago and her daughter Alia Rose made sure the album was finished. Beautiful comes out tomorrow and will be on sale at Best Buy and Amazon.
Caveat: These incidents are about the institution of whiteness. These are not personal attacks on individuals or so-called “haterade.”
1. All of the accolades heaped on Adele as if Teena Marie never existed. How can it be racist if they both are white? Because Teena Marie's white card was revoked when she refused to sellout and focus on catering to a pop audience. It did not help that she had a personal relationship with Rick James who was a Black man. It is also interesting to know that Adele's music gets played on urban and pop stations where Marie was and is only heard on Black radio. And for that matter why doesn't Jill Scott get played on pop radio if she influenced Adele? But even more telling is the fact that when Blacks like Fishbone do rock music they don't get played on rock stations.
2. Russell Brand comparing Amy Winehouse to Ella Fitzgerald and Billie Holiday at the MTV VMA's when both women died after setting new standards in jazz. Winehouse's work is critically acclaimed but to say that she was singing in the tradition of both is to suggest that her work has the same far-reaching influence as Holiday's and Fitzgerald's when enough time has not passed yet for that to be proven. Most jazz vocalists with any sense of their craft are singing in the tradition of Billie Holiday and Ella Fitzgerald.This line of thinking comes from the idea that whites doing Black music is more commendable because it is something that they are not normally expected to do in contrast to the racist idea that "all Blacks are entertainers."
3. Vibe contradicting itself by giving white singer Amy Winehouse the cover after her death thus destroying Kelly Rowland's shine when Winehouse's music did not represent the Vibe brand. But they did not give a cover to white soul singer Teena Marie despite covering her throughout the years.
4. All of the unconditional praise heaped on Mac Miller’s rhyming skills when he will never even come close to Eminem’s abilities on a bad day. Since when did Donald Trump, who has a history of racist housing practices, and is a birther, care about hip-hop enough to compliment a rapper? And no, this isn’t just about Trump complimenting the success of Miller’s song “Donald Trump” because he obviously listens to Eminem. Don’t agree? Watch the documentary on Jack Johnson called “Unforgivable Blackness” then watch James Earl Jones in “The Great White Hope.”
5. The Rock Hall of Fame inducting The Beastie Boys BEFORE Eric B. & Rakim when they made the true innovations in the artform unless of course this is about the bean-counting perspective of "whatever sells the most must be the best. Twenty-seven years after Run DMC's "King of Rock," The Rock Hall still believes that the rock star is a white male. They finally accepted that he wouldn't hold a guitar but he's still white.
HipHollywood was at the Teena Marie Memorial yesterday and they received comments from many who attended the service. Stevie Wonder, Smokey Robinson and Sheryl Lee Ralph are a few who spoke about Teena’s life and music. Berry Gordy and Teena’s daughter were the featured speakers at the ceremony. Hopefully, her family will still allow a public memorial for all of her fans around the world to formally say farewell.
The producer, musician, and arranger is famous for helping Al Green find his sound on the Hi Records sessions and shaping Memphis soul. He also worked as a trumpet player and bandleader with minor R&B hits like “Soul Serenade” before Hi Records.
1. Willie Mitchell
Drummer and baritone for Harold Melvin and the Blue Notes.Pendergrass was dominant in dance music and R&B with the group and as a solo singer. He defined a masculinity in the R&B of the late ’70′s and ’80′ that had bravado and sensitivity. Pioneer of the “ladies only” concert.
2. Teddy Pendergrass
Founding member and tenor-falsetto of The Dramatics. His falsetto was a trademark of the group that still performs. Snoop Dogg gave them wider recognition with another generation after collaboration and appearance int he video for “It’s A Doggy Dogg World.”
3. Ron Banks
Manager of the Sex Pistols and Bow Wow Wow. McLaren helped bring hip-hop to the UK with his Duck Rock album that had a guest appearance from The World Supreme Team DJs who hosted an influential urban music show on 105.9.
4. Malcolm McLaren
Gifted Unlimited Rhymes Universal was one-half of the authoritative hip-hop group Gang Starr with DJ Premier. They were underground royalty who never turned their backs on the hip-hop aesthetic for commercial gain. Guru would start the critically acclaimed Jazzmatazz series of albums in ’93 that put his rapping alongside various R&B and jazz artists.
Lena Horne was a nightclub performer, singer, actress and dancer. She became the first Black entertainer to sign a long-term contract with a major Hollywood studio with MGM in 1943. She was activist that was once blacklisted for views that included a refusal to perform for segregated troops. She sold more records than any other female artist on the RCA-Victor label at the time. Her one woman show earned her a Tony and two Grammys in 1981.
6. Lena Horne
Coleman became an icon of the ’80′s when co-starred on the TV show Diff’rent Strokes.
7. Gary Coleman
Ali Ollie Woodson is best remembered for providing lead vocals for The Temptations on their ’80′s hits “Treat Her Like A Lady” and “Lady Soul.” He started his career at age 19 with the Original Drifters.
8. Ali Ollie Woodson
Marvin Isley was the youngest member of the Isley Brothers and provided bass guitar for some of their biggest songs like “Fight The Power Part 1.”
He would later form a trio with brother-in-law Chris Jasper and Ernie Isley to release “Caravan Of Love.”
9. Marvin Isley
Garry “Diaper Man” Shider was the musical director of the Parliament-Funkadelic clan for most of their life. It is him that provides the lead vocals for “Cosmic Slop” and “One Nation Under A Groove.”
10. Garry Shider
The founder of Gothic Futurism and an early graffiti writer, Rammellzee was also a rap artist who performed in self-made masks. “Beat-Bop” was rapped in the Gangsta Duck style and produced by Jean Michel Basquiat.
Mr. Fuqua founded the doo-wop group The Moonglows and gave Marvin Gaye his big break by putting him in the group and later introducing him to Berry Gordy. He later worked with the disco star Sylvester producing his hits “Dance (Disco Heat)” and “You Make Me Feel (Mighty Real.)”
12. Harvey Fuqua
Catfish Collins’ rhythm guitar started out in a group called The Pacemakers with his brother Bootsy Collins. They would become James Brown’s backing band The JB’s. After leaving Brown he recorded on some of the most important Funkadelic dates.
13. Phelps “Catfish” Collins
Lincoln co-starred in “Nothing But A Man” and received a Golden Globe nomination for her role in “For Love Of Ivy.” She was once married to Max Roach with whom she recorded the vitriolic We Insist! -Freedom Now Suite. Her vocals have influenced succeeding generations including Cassandra Wilson who admits to learning artistic honesty from her.
14. Abbey Lincoln
Robert Wilson is Charlie Wilson’s brother and the bass player of The Gap Band. The band of brothers including Ronnie were one of the major funk bands of the ’70′s and ’80′s.
15. Robert Wilson (bass guitar, The Gap Band)
Griffey’s SOLAR Records was responsible for some of the biggest acts of the ’80s including Shalamar, The Whispers, Lakeside, Klymaxx, Dynasty and Midnight Star. He was also a big promoter who booked shows for Stevie Wonder, Michael Jackson, James Brown and Aretha Franklin. He was also a talent coordinator on Soul Train and co-founded Soul Train Records with Don Cornelius. Death Row Records got a push from his expertise because he was Suge Knight’s mentor and some of Dr. Dre’s The Chronic was recorded in his studio.
16. Dick Griffey
Aaron-Carl’s dance tracks became staples of the international house music scene. He founded Wall Shaker Records in his Detroit hometown and released several singles in a variety of styles. 17. Aaron-Carl
Burke is a rock and roll legend best known for his hit song “Everybody Needs Somebody To Love.” He never had the fame of his peers like Wilson Pickett but his years on the Atlantic imprint produced some of the best soul of the ’60′s.
18. Solomon Burke
Walker founded gospel titans The Caravans and was a protege of Mahalia Jackson. She was instrumental in the careers of Inez Andrews, James Cleveland and Shirley Caesar. She founded the Gospel Music Workshop Of America with Cleveland in 1967.
19. Albertina Walker
Jamaican reggae singer Gregory Isaacs was called the “cool ruler” because he chose to sing love songs instead of lyrics about social injustice like Bob Marley. His style took more from American R&B than roots reggae. “Night Nurse” was his breakthrough single that put his name in clubs around the world.
20. Gregory Isaacs
“Moody’s Mood For Love” became a standard covered by Aretha Franklin and George Benson among others. He started his career with Dizzy Gillespie and was a rare jazzman who showed humor.
21. James Moody
The most soulful white singer ever Marie’s career was jumpstarted with help from Rick James when they were both on Motown Records. Marie stayed true to her R&B roots for her entire career. Her early experimentation with rap on “Square Biz” made Debbie Harry’s “Rapture” rap look mild and weak. Her lawsuit against Motown resulted in The Brockert Initiave that makes it illegal for a label to keep an artist without paying them or releasing material.
22. Teena Marie
Bernard Wilson was a baritone singer in Harold Melvin and the Blue Notes. The group was an anchor of the Philly soul sound.
23. Bernard Wilson
Jazz educator and pianist who started out with the Ben Webster Quartet. He was highly regarded among jazz heavyweights like Charlie Parker. As a performer he was known for “I Wish I Knew How It Would Feel To Be Free.”
Teena Marie died today of undisclosed causes but she did suffer a grand mal seizure last month. Marie was one of best soul singers to ever live. She is the best white soul singer to ever do it. Her introduction into the music business with Rick James back in 1979 was fated and started the public’s love affair with her voice. She only crossed over once with “Lovergirl” and it wasn’t something she cared about. Her last album from 2009 was Congo Square and it maintained the quality she was known for. Now she and Rick are somewhere in the ethers singing “Fire and Desire” together for an eternity.