Sandra St. Victor is launching a new Daughters Of Soul campaign with PledgeMusic to support a documentary, soundtrack and tour. The daughters of soul include Lalah Hathaway, Kori Withers, Indira Khan, Syleena Johnson, Lisa Simone and Sylvette Stone. They are the daughters of Donny Hathaway, Bill Withers, Chaka Khan, Syl Johnson, Nina Simone and Sly Stone. Together they are planning to make a record, tour and film their experiences as artists with a pedigree who are honing and sharing their own artistic voices. Campaign perks range from an autographed CD to being able to secure a personal concert from them. Sandra St. Victor has filmed a video to introduce the ladies and explain the project. Watch the video and read more about the campaign here.
Tag Archives: Sandra St. Victor
“I’m very much into this wide expression of creativity”
Sandra St.Victor’s Mack Diva Saves The World is a womanist missile of pure soul that helped her transition from being The Family Stand’s front woman into a critically acclaimed solo voice in R&B. The Netherlands by way of Dallas, Texas based singer had spent years with the funk rock band making edgy jams that climaxed with the commercial notice of “Ghetto Heaven.” Mack Diva’s sultry sensuality was devoid of broken-hearted self-pity and Victor never apologized for being a complex but comprehensible woman. And just as soon as Mack Diva was released into the public it almost instantly became an underground classic because the record company infrastructure decamped. Victor returned in 2002 with the independently released Gemini and most recently with Mark de Clive Lowe for their 2010 collaboration At My Spheres. Some soul devotees call her the best back-up singer ever for Chaka Khan and Prince and Tina Turner have utilized her songwriting. This year she has re-connected with Mark de Clive Lowe for Oya’s Daughter, which is a collection of songs, inspired by life’s changes and sonically guided by Lowe’s avant-garde soul. Vibrant and aware, Victor has concerns about the state of the world as always but she is excited to offer her new collection aided by the transforming turbulence of the Yoruban orisha Oya.
Why Oya’s Daughter?
I was going to call it Spirit Talk. I’ve been listening to myself for several years now to see who I am at this time in this whole thing, music business, and who I really am as an artist and a woman. Right when I was about to complete the album I just decided to start googling spirit talk for some quotations and stuff came up and it was so vague. You know like there are gym classes called spirit talk. I needed to more clearly define what spirit it is that is speaking mostly through this music, and I defined that as Oya. Then it really came full circle for me. Just where I’m from and the way I live my life, that orisha is very representative of my beliefs and my belief system. Even as a child how I felt. I don’t claim to call myself Oya, so Oya’s Daughter, as I think so many of us are, one of the children of that energy. I thought that was a perfect title to give the full description of what I’m really trying to say here. Oya is the owner of the winds, she’s the change-bringer, and what I’m talking about on this record is change and freedom and movement, forward motion, children, protection of our kids. When that hit me I knew that was it, I just knew that was it, that’s what I needed to title the album.
I know that “Stuff Momma Used To Say” is about your mother’s passing which is a major change in life but it also has a jazzy feel and that’s a change from your past sound.
Mark de Clive Lowe is so super super talented and it has these African elements and it’s even more jazzy now because he added this incredible introduction. I asked him to put an introduction that would bring me into the track. It’s this incredible piano introduction to the song. He mixes this African tribal foundation and jazz chords and I just thought, yeah.
I know you and Mark de Clive Lowe worked previously on At My Spheres, did you feel like he had the language to exclusively produce Oya’s Daughter?
Absolutely. I’m very much into this wide expression of creativity. He’s not locked into “This is what something should sound like” he’s just not locked into that. We don’t have chorus bridge chorus bridge chorus out. Most of the songs are just not in that form. They’re very natural, very organic flow and feel and I’m totally drawn to that.
Did your mom really serve black-eyed peas in china bowls?
Yes she did. My momma was a trip she wanted to be pretentious and the whole thing. Where’s she’s from you can’t do that!
Sandra St. Victor is returning this Fall with Oya’s Daughter exclusively produced by Mark de Clive-Lowe. They last worked together on 2010’s Sandra St. Victor’s Sinner Child song, “At My Spheres.” “I Prefer” is the first preview of the Mack Diva’s album inspired by the African Wind Goddess as Victor explains, “Oya is the Orisha of change, storms. She is the owner of the winds. Wind is symbolic of the power of thought. My daily movement asks Oya to lift the words of my songs into the breeze, on the air.” Victor is appearing in NYC at the BAM Cafe on June 29th and Central Park Summerstage on July 3rd.
Last night the BRC gathered for a repeat of their Gil Scott-Heron tribute show, Pardon Our Analysis: An All-Star Gathering for Gil Scott-Heron. Onstage for “The Bottle” was a bevy of Black boho luminaries including Heron’s collaborator Brian Jackson, Abiodun Oyewole, Sandra St. Victor, Hanifah Walidah, Gordon Voidwell and a host of others. The show took place at Damrosch Park in Lincoln Center.
Sandra St. Victor’s daughter Irisa gives her mom the third-degree in the one of the cutest interviews ever. Victor released “Reset Me Free” a few weeks ago and you can get the track by paying for it with a Tweet or Facebook posting by clicking here.