Daily Archives: March 16, 2018

Murs: A Strange Journey Into The Unimaginable Album Stream


Murs’s A Strange Journey Into The Unimaginable came out today and it coincides with his 40th birthday. He explained in press releases before the album came out how this project is his most personal.  Divorce and losing his son are things he survived and talks about with Michael “Seven” Summers as his producer. 


Jean Grae Lets Out Her Inner Assassin With Help From Quelle Chris In Video For Zero

 Jean Grae and Quelle Chris are getting more creative with their videos as evidenced in their new one for “Zero.” Chris has been animating since he was a teenager and he used those skills and learned new ones to create the cilp. The storyline follows Jean who is an assassin fighting against a sinister capitalist tyrant named Mad Red with the help of Lieutenant Quelle of the Detroit Revolt, a liquor store owner and Littles the cat as an accomplice and getaway driver. Chris drew inspiration from ’90s video games and spent three months making their vision real. The visual has added more excitement to the release of their Everything Is Fine album on March 30th. Chris states that the album’s title is a reference to the kind of glib automatic responses  people give each other every day while having “small talk.” But the situation in America is anything but fine and Jean Grae as “Zero” seeks to dismantle the oppressive burden of 21st-century American capitalism whose mission is to keep wealth among a concentrated few. 


Music Review: Thundercat + Ron OG & The Chopstars Present Drank

Drank is the chopped and screwed version of Thundercat’s Drunk remixed by DJ Candlestick of Houston’s Chopstars. It first appeared online last year and Thundercat heard it and gave it his approval. Drunk gets its musical high from alcohol but Drank is the sonic equivalent of a drink laced with codeine. The instrumentalist and songwriter has always been open about his admiration for George Duke’s jazz fusion and it shines through in all of his work. Drank, however, comes across like a lo-fi version of George Clinton’s Funkadelic band melding with sleepy hip-hop. Thundercat’s quirky lyrics and carefree vibe matches well with the lethargic tempos. “Them Changes” is an affable walk of the bass but the screwed treatment makes it feel dizzy from all the repetition and intermittent scratches. Thundercat literally sounds like a ghost of himself as his intonation is lengthened and lowered by the slower speeds. “Friend Zone” compresses the funk and the fluttering keyboard figures seem to bubble over the entire arrangement. 

DJ Candlestick makes Thundercat’s bass sound like a boat engulfed in comfortable waves inside “A Fan’s Mail (Tron Song Suite II).” The weight of his bass becomes heavier and floats until it fades. Kenny Loggins and Michael McDonald being heard within the chopped and screwed method is one of the most unexpected things in music. “Show You The Way To Go” arranges both of their voices into a psychedelic dream state. Their missing vocal range and subsequent placement into lower registers  is borderline scary as if both singers are trying to escape a place opposite the heavens. The mood gets brighter on the danceable remix of “Tokyo.” Faster-moving beats and glowing tones generate a lighthouse effect to help the imbibers of drank to wake up and rejoin the party. 

Remix albums are not always successful and coherent but The Chopstars have essentially given Drunk a second release with Drank. The original album stands on its own as the next distinctive chapter in Thundercat’s catalog but Drank claims a different kind of pleasure by continuing DJ Screw’s legacy with a palette of complementary colors and bleary-eyed soundscapes.